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#11
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Old Before I Die
![]() Quelle Geschrieben von Robbie Williams / Eric Bazilian / Desmond Child Veröffentlicht von EMI Music Publishing/Human Boy and by WB Music Corp/DESMOPHOBIA/Polygram Robbie sagt: "Das hier ist über meine vergnügungssüchtige Phase im Jahr zuvor, von der inzwischen jeder erfahren haben dürfte. Es war eine sehr dekadente Zeit, genau genommen lehrte es mich, ein sehr guter DekaTänzer." She's taking me places I should never have been She's showing me faces I should never have seen Well these are strange days We're living in today C'est la vie I say I hope I'm old, before I die I hope I'll live to relive The days gone by I hope I'm old before I die Well tonight I'm gonna Live for today So come along for the ride I hope I'm old before I die She's not feeling stable She's unable to breathe Her heart's beating faster So I'll ask her to leave These are strange days, We're living in today Am I straight or gay? I hope I'm old, before I die I hope I'll live to see the day The Pope gets high I hope I'm old, I hope I'm old, Before I die Well tonight I'm gonna Live for today So come along for the ride I hope I'm old before I die Well these are strange days We're living in today C'est la vie, I say, I say, I say I hope I'm old (I hope I'm old) Before I die I hope I'll live to relive The days gone by I hope I'm old before I die Well tonight I'm gonna Live for today So come along for the ride I hope I'm old before I die I hope I'm old Before, old before I die Old before, old before I die Die, die, die Old before, old before I die Die, die, die ![]() Videos: Old Before I Die Music Video "I genuinely want to be old…" Behind the scenes footage filmed on set at the Old Before I Die video shoot. Veröffentlichung: 14. April 1997 Die Promotion für 'Life Thru A Lens lostretend, schoss 'Old Before I Die' im April 1997 auf Nr. 2 der Britischen Singlecharts hoch. Die Single war das einzige erfolgreiche Material, das von Robbies kurzzeitiger Partnerschaft mit Bazilian/Child stammt. Chart Highlights: In den Hitparaden auf Nr. 2, war 'Old Before I Die' erstes original Solomaterial, das zur Veröffentlichung stand. Es war sein erster, wirklicher Geschmack von Erfolg nach Take That und es hielt sich im April 1997 2 Wochen in den Britischen Charts. Last edited by GurunessBrownie; 13-03-11 at 04:33 PM. |
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#12
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One of God's Better People
Geschrieben von Robbie Williams/Guy Chambers Veröffentlicht von EMI Music Publishing / BMG Music Publishing Robbie sagt: "Das hier ist für meine Mutter, weil sie eine von Gotts besseren Menschen ist. Ich wollte einen Song schreiben, der zusammenfasst, was ich für sie empfinde." You're one of God's better people And you don't know That's why you're special And I cry so I can talk like this From my downbeat existence And I know that you can make my wish If my wish is pure But I don't know I just don't know I don't know Let me love you so Now I can't live this without you I'd die without you Without you, without you You're one of God's better people And you don't know That's why you're special It must hurt to see your favourite man Lose himself again and again And I know that you're my only friend From way back when My wish was pure It was oh so pure It was pure I couldn't love you more Now I can't live this without you I'd die without you Without you Now I can't live this without you I'd die without you Without you, without you And everybody's going to step aside As you spread your wings and you will fly And take me to the other side where they know 'Cos I don't know no more I just don't know no more I don't know Let me love you so Now I can't live this without you I'd die without you Without you Now I can't live this without you I'd die without you Without you, without you You're one of God's better people And you don't know That's why you're special ![]() Video: Life Thru A Lens: One Of God's Better People Last edited by GurunessBrownie; 13-03-11 at 04:35 PM. |
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#13
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Let Me Entertain You
![]() Quelle Geschrieben von Robbie Williams/ Guy Chambers Veröffentlicht von EMI Music Publishing/BMG Music Publishing Robbie sagt: "Wir waren in Guys Haus und guckten 'Rock ‘n' Roll Circus' mit den 'Beatles' und den 'Rolling Stones' und waren einigermaßen inspiriert und gingen nach oben und schrieben einen 'Who'-mäßigen Song. Ich bin wirklich stolz auf das Video. 'Let Me Entertain You' ist das beste Video, das ich je gemacht habe, denke ich." Hell is gone and heaven's here There's nothing left for you to fear Shake your arse come over here Now scream I'm a burning effigy Of everything I used to be You're my rock of empathy, my dear So come on let me entertain you Let me entertain you Life's too short for you to die So grab yourself an alibi Heaven knows your mother lied Mon cher Separate your right from wrongs Come and sing a different song The kettle's on so don't be long Mon cher So come on let me entertain you Let me entertain you Look me up in the yellow pages I will be your rock of ages Your see through fads and your crazy phases Yeah Little Bo Peep has lost his sheep He popped a pill and fell asleep The dew is wet but the grass is sweet my dear Your mind gets burned With the habits you've learned But we're the generation that's got to be heard You're tired of your teachers and your school's a drag You're not going to end up like your mum and dad So come on let me entertain you Let me entertain you Let me entertain you He may be good he may be outta sight But he can't be here so come around tonight Here is the place where the feeling grows You gotta get high before you taste the lows So come on Let me entertain you Let me entertain you So come on let me entertain you Let me entertain you Come on come on come on come on Come on come on come on come on Come on come on come on come on Let me entertain you Let me entertain you So come on let me entertain you Let me entertain you ![]() Videos: Let me entertain you Music Video "It's just a semi" Behind the scenes footage filmed on set at the Let Me Entertain You video shoot. Veröffentlichung: 16. März 1998 Als Robbies "Partyhymne" beschrieben, kletterte 'Let Me Entertain You' im Frühjahr 1998 während des 'Angels'-Folgewirbelwinds auf Nr.3. Der Song wurde sein unverkennbarer Konzerteröffnungssong. Inspiriert durch den Rolling Stones Film 'Rock 'n' Roll Circus' sagte Robbie: "Wir guckten 'Rock Circus' und nahmen danach 'Let Me Entertain You' auf. Als wir begannen das Demo zu schreiben, war dem Ganzen ein wilder Dschungelrhythmus unterlegt. Es war so heftig, dass es mich total begeisterte und ich bin immer noch begeistert, wenn ich es mir anhöre. Es ist nicht wirklich Heavy Metal, es ist mehr 'Camp Rock Oper'!" Chart Höhepunkte: Ungeachtet dessen, dass es den Spitzenplatz verpasste, war 'Let Me Entertain You' ein großer Hit in Großbritannien, mit der Höchstplatzierung Nr.3 und im März 1998 für 1 Monat in den Top 10 verbleibend. Last edited by GurunessBrownie; 13-03-11 at 03:38 PM. |
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#14
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Killing Me
Geschrieben von Robbie Williams/ Guy Chambers Veröffentlicht von EMI Music Publishing/BMG Music Publishing Robbie sagt: "Dies zu schreiben war sehr aufzehrend, weil es ein Lied über und für mich geschrieben ist. Es ist Robbie von Robbie und es ist ein sehr ehrlicher Überblick über mich." I don't mind the abuse It fills in time When I'm not much use But it's killing me, killing me slowly They all say I'm too restless But words cut deep When you're defenceless And they're killing me, but killing me slowly There was a time when we were fine And I could tolerate you I do believe that you should leave 'cos I've grown to hate you Should I be weak and turn my cheek 'cos I'm scared to fall But I just don't know you And you don't know me at all I've been told that love's a celebration But I've lost faith through frustration And it's killing me, but killing me slowly You paint my picture black The joke's on me And I don't wanna laugh Remember the good times Won't you bring them back someday, somehow I don't mind feeling blue If I could smile just like you do And it's killing me, killing me slowly I can't go on alone Pretending nothing's wrong Maybe I just want to belong Somewhere, somehow, somehow Oh, oh, oh, oh, oh...
Last edited by GurunessBrownie; 13-03-11 at 03:29 PM. |
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#15
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Clean
Geschrieben von Robbie Williams/ Antony Genn/ Richard Hawley/ Martin Slattery/ Pablo Cook Veröffentlicht von EMI Music Publishing/ Polygram/ Island Publishing/ Copyright Control Robbie sagt: "Ich schrieb dies, als ich einmal ein bisschen zuviel getrunken hatte, an einem Klavier in Deutschland. Es handelt davon, wie ich mit meinen eigenen Taten aufräume." There was a time When crazy days would start with wine And now I tow a different line I stay in bed and use my loaf instead of my bread And stroll on 'cos I've been thinking so long That something's gonna go wrong It's gone to my head my vision's all blurred And my legs feel like lead But I'm clean yeah Friends with Mr Sheen yeah Don't have to wean myself off of nothing I'm two minutes clean and that's not very often Stroll on There was a time When I would dread what I had said Waking up in someone's bed Wondering who I was Naked and cold With an ache in my head And stroll on 'cos I've been thinking so long That something's gonna go wrong It's gone to my head my visions all blurred And my legs feel like lead But I'm clean yeah Friends with Charlie Sheen yeah Gonna meet the Queen yeah She's two minutes clean and that's not very often Stroll on and on Clean yeah Friends with Mr Sheen yeah Don't have to wean myself off of nothing I'm two minutes clean and that's not very often I'm clean yeah Gonna meet the Queen yeah I won't be obscene yeah 'cos I'm two minutes clean and that's not very often Stroll on and on and on and on and on Oh yeah ![]() Videos: Forum: Clean Video Live Performance Live In Your Living Room: Clean Video Live Performance Life Thru a Lens: Scared Of London… Or Clean? Last edited by GurunessBrownie; 13-03-11 at 02:37 PM. |
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#16
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Baby Girl Window
Geschrieben von Robbie Williams/ Guy Chambers Veröffentlicht von EMI Music Publishing/BMG Music Publishing Robbie sagt: "Hier handelt es von dem Schauspieler Richard Beckinsale, der in 'Porridge' mitgespielt hat. Er starb sehr jung und war so talentiert, also dachte ich, er verdient, dass über ihn ein Song geschrieben wird. Seine Tochter, Sam, ist eine Freundin der Familie und sie war sehr berührt, als ich ihr das Lied vorgespielt habe." I've got your rainbows seen your sunbeams I know a place where heaven breathes And it's through her window Your baby girl's window I know you're happy where you are Singing to the moon talking to the stars Through her window Your baby girl's window There's finger marks around her soul But your laughter fills the hole Through her window Your baby girl's window Aaah I wish you would stay Aaah to see what she made of herself People say you were gone too soon I see your face when flowers bloom Through her window Your baby girl's window I'm looking for the words to say Something to take the pain away Through her window Aaah I wish you would stay Aaah to see what she made of herself ![]() Videos: Forum: Baby Girl Window Video Live Performance Baby Girl Window Last edited by GurunessBrownie; 13-03-11 at 02:29 PM. |
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#17
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Hello Sir (Gedicht/Versteckter Titel)
Geschrieben von Robbie Williams Veröffentlicht von EMI Music Publishing/BMG Music Publishing Hello Sir, remember me? I'm the man you thought I'd never be The boy who you reduced to tears Lad called 'thingy' for six whole years. Yes, that's right, my name's Bob The one who landed the pop star's job The one you told, look don't touch The kid who wouldn't amount to much. Well, I'm here and you're still there With a fake sports car and receding hair. Dodgy Farah trousers that you think are smart Married to the woman who teaches art. Married to the life, married to the school I wanna sing and dance Sir, now who's the fool? Sing and dance, you thought I was barmy Settle down thingy, join the army. And who are you to tell me this? The dream I want I'll have to miss Sir is God, he's been given the right To structure lives overnight. Now I know life's true path Tanks and guns that'll be a laugh No, not me I'm a mega civilian I won't lead my life riding pillion. But thanks for the advice and I'm sure it'll do For the negative dickheads just like you As for now I've a different weapon Stage and screen is about to beckon And here I sit in first class Bo.llocks Sir, kiss my a.ss!
Last edited by GurunessBrownie; 13-03-11 at 11:31 AM. |
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#18
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I've Been Expecting You
![]() Quelle Veröffentlichung: 20. Oktober 1998 Nach dem Erfolg von 'Angels' wurde Robbie als nationale Musikikone umarmt. Seine festgefügte und erfolgreiche Partnerschaft mit Guy Chambers fortführend, wurde 'I've Been Expecting You" im späten 1998 veröffentlicht. Das Album wurde hauptsächlich während eines gemütlichen "Luxus-Schreib-Urlaubs" (wie Guy es nannte!) auf Jamaika geschrieben. Es war außerdem während Robbies Beziehung zu All Saints Sängerin Nicole Appleton – das Album zeigte eine Mischung verschiedener Einflüsse, nämlich derer, die ihm nahe standen. Für sein Fanmagazin schreibend, sagte Robbie: "Die meisten der Songs, die ich schrieb, sind sehr persönlich, besonders 'These Dreams', das wie ein weiteres 'Angels' ist. Es brachte mich sogar zum Weinen, als ich es schrieb." Das Album zementierte Robbies Status als Popkönig, den Respekt von Fachleuten und Kritikern gleichermaßen erreichend. Nachdem er den Sommer damit zubrachte, die Massen auf Festivals zu begeistern, nahmen die Menschen nun die bloße Karft seines Talents wahr. Zusammen mit dem 'London Session Orchestra', waren 'Pet Shop Boys'-Mitglied Neil Tennant und 'The Divine'-Mitglied Neil Hannon beide auf dem Album vertreten, als Background-Stimmen für 'No Regrets'. "Ich erhielt einen Anruf, fragend, ob ich herkommen wolle?", sagte Neil Hannon. "Und ihm als Kultikone abzusagen, erschien mir ungehobelt." Andere Schlüsseltitel des Albums waren 'Millennium' – das im September 1998 Robbies erste lang ersehnte Nr. 1 wurde – 'She's The One' und 'Strong'. In der Band waren der musikalische Leiter Guy Chambers am Keyboard und an der Gitarre, Gary Nuttal und Alex Dickson an Giatteren, Chris Sharrock am Schlagzeug, Fil Eisler am Bass und Claire Worral ebenfalls am Keyboard und an der Gitarre. Chart Höhepunkte: Höchste Britische Chart Position: Nr. 1 'I've Been Expecting You' schoss bei Veröffentlichung geradewegs auf die Nr. 1. Bei mehr als 2,5 Millionen verkauften Exemplaren alleine in Großbritannien und Irland, setzte es ebenso ein Zeichen in den Europäischen und Lateinamerikanischen Charts. Reviews: "I've Been Expecting You is certainly entertaining, laden with catchy songs in a range of styles that form an unlikely bridge between Britpop and teenypop... Williams, a performer of considerable character, easily holds centre stage. He has established himself as a sharp-witted lyricist and demonstrates growing confidence in his singing when he occasionally launches into a tender falsetto." Daily Telegraph, October ‘98 "Guitar-fuelled tunes yer Britpop-loving Dad will be into, Abba-esque mini-masterpieces yer mum will wipe a tear to, and sure-fire hits that the whole pub will sing along to when the guy with a quid and a touch of irony chooses Robbie on the jukebox. You won't get away from this." i-D, November ‘98 "Make or break time for the former Take That goon, an awful lot resting on the quality (or otherwise) of Robbie Williams's second album. As it transpired, I've Been Expecting You ably proved - through sheer ebullience - that here stood pop's greatest entertainer." Q, January ‘99 Videos: I've Been Expecting You: The Secret To Naming A Song I've Been Expecting You: "Oh there'll be fights…" I've Been Expecting You: Postcards Of Songs I've Been Expecting You: Millennium I've Been Expecting You: No Regrets I've Been Expecting You: "Me and Guy, we just kissed!" |
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#19
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Strong
![]() Quelle Geschrieben von Robbie Williams/ Guy Chambers Veröffentlicht von EMI Music Publishing/BMG Music Publishing Robbie sagt: "'Strong' wurde in einem Hotelzimmer in Köln geschrieben und ich hatte diese sehr sehr bessesenen Fans - im Grunde haben mich diese Leute regelrecht wahnsinnig gemacht. Auch weil ich mein Bestes gab, ihnen aus dem Weg zu gehen... ich wollte mich nur hinsetzen und sie wissen lassen, dass ich nicht eingebildet war, sondern vielmehr ein wenig verängstigt. Ich möchte nicht ungehobelt sein, aber Ihr treibt mich in den Wahnsinn!" My breath smells of a thousand fags And when I'm drunk I dance like me Dad I've started to dress a bit like him Early morning when I wake up I look like Kiss but without the make-up And that's a good line to take it to The bridge And you know and you know 'Cos my life's a mess And I'm trying to grow so before I'm old I'll confess You think that I'm strong, you're wrong You're wrong I'll sing my song, my song, my song My bed's full of takeaways and fantasies Of easy lays The pause button's broke on my video And is this real 'cos I feel fake Oprah Winfrey, Rikki Lake Teach me things I don't need to know And you know and you know 'Cos my life's a mess And it's starting to show so before I'm old I'll confess You think that I'm strong, you're wrong You're wrong I'll sing my song my song my song If I did it all again I'd be a nun The rain was never cold when I was young I'm still young, we're still young Life's too short to be afraid Step inside the sun And you know and you know 'Cos my life's a mess And I'm trying to grow You think that I'm strong, you're wrong You're wrong I'll sing my song, my song, my song You think that I'm strong, you're wrong You're wrong I'll sing my song, my song, my song You think that I'm strong, you're wrong You're wrong I'll sing my song, my song, my song Life's too short to be afraid So take a pill to numb the pain You don't have to take the blame Life's too short to be afraid So take a pill to numb the pain You don't have to take the blame Life's too short to be afraid So take a pill to numb the pain You don't have to take the blame ![]() Videos: Strong Music Video Cologne: Strong Video Live Performance Slane: Strong Video Live Performance Knebworth: Strong Video Live Performance Manchester: Strong Video Live Performance Scared By Obsessive Fans Behind the scenes footage filmed on set at the Strong video shoot. Veröffentlichung: 15. März 1999 Die dritte Auskopplung aus Robbies zweitem Album, 'Strong', erschien zu einer geschäftigen Zeit. Geschrieben in einem Hotel in Köln, war der Song beeinflußt von Robbies eher wahnsinnigeren Bewunderern, die - wie er zugab - ihn zu Tode ängstigten. Bei Horden von campenden Fans vor seinen Hotels beinhaltete 'Strong' eine autobiografische Botschaft. "Ich wollte ihnen nur verständlich machen, dass ich nicht unhöflich bin, aber ein wenig beängstigt von alldem bin", sagte er. Chart Höhepunkte: Eine Woche in den Britischen Charts verbleibend, erreichte 'Strong' im März 1999 die Höchstposition Nr.3. Last edited by GurunessBrownie; 13-03-11 at 04:57 PM. |
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#20
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No Regrets
![]() Quelle Geschrieben von Robbie Williams/ Guy Chambers Veröffentlicht von EMI Music Publishing/BMG Music Publishing Robbie sagt: "Mit 'No Regrets' ist das so, dass es ein Song ist, der von der Traurigkeit einer bestimmten Situation handelt, nämlich die mit Take That. Und ich glaube, dass es die alles überlagernde Traurigkeit auf den Punkt bringt. Es ist nicht verbittert oder soll sie anpflaumen, wie ich das in der Vergangenheit getan habe, es war vielmehr ein 'tut mir leid für uns alle'." Tell me a story Where we all change And we'd live our lives together And not estranged I didn't lose my mind it was Mine to give away Couldn't stay to watch me cry You didn't have the time So I softly slip away... No regrets / they don't work No regrets now / they only hurt Sing me a love song Drop me a line Suppose it's just a point of view But they tell me I'm doing fine I know from the outside We looked good for each other Felt things were going wrong When you didn't like my mother I don't want to hate but that's All you've left me with A bitter aftertaste and a fantasy of How we all could live No regrets / they don't work No regrets now / they only hurt [We've been told you stay up late] I know they're still talking [You're far too short to carry weight] The demons in your head [Return the videos they're late] If I could just stop hating you [Goodbye] I'd feel sorry for us instead Remember the photographs (insane) The ones where we all laugh (so lame) We were having the time of our lives Well thank you it was a real blast No regrets / they don't work No regrets now / they only hurt Write me a love song Drop me a line Suppose it's just a point of view But they tell me I'm doing fine Everything I wanted to be every Time I walked away Every time I wanted to be every Time I walked away Every time you told me to leave I just wanted to stay Every time you looked at me and Every time you smiled I felt so vacant you treat me like a child I loved the way we used to laugh I loved the way we used to smile Often I sit down and think of you For a while Then it passes me by and I think of Someone else instead I guess the love we once had is Officially dead ![]() Videos: No Regrets Music Video Cologne: No Regrets Video Live Performance Slane: No Regrets Video Live Performance Knebworth: No Regrets Video Live Performance Manchester: No Regrets Video Live Performance "We were the biggest thing since sliced bread" Behind the scenes footage filmed on set at the No Regrets video shoot. I've Been Expecting You: No Regrets Veröffentlichung: 30. November 1999 Robbies erste Doppel-A-Seite 'No Regrets' stieß die Veröffentlichung von 'I've Been Expecting You', mit Adam Ants Ant Music an seiner Seite, an. Robbie schrieb den Song als ein reinigendes Selbstzeugnis seiner vergangenen Erfahrungen. Bei zunehmendem Beifall wurde es zu einem der meist diskutiertesten Lieder des Albums, möglicherweise wegen des Bezugs zu seinen Take That Tagen. Als er zuvor bereits mit 'The Pet Shop Boys'-Sänger Neil Tennant an einem Wohltätigkeitsprojekt zusammen gearbeitet hatte, hatte er diesen zusammen mit Neil Hannon von 'The Divine Comedy's' eingeladen, in dem Song mitzusingen. Chart Highlights: In Österreich erreichte 'No Regrets' die Top 40 und verblieb im Dezember '98 eine Woche lang in den Britischen Top 10. Last edited by GurunessBrownie; 13-03-11 at 04:31 PM. |
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